Татуировка и виртуальная реальность

Короткометражный документальный фильм о художнике-экспериментаторе Германе Девиации, который пытается найти выход из творческого кризиса. Он называет этот кризис "кругом" и связывает его со своим творческим выгоранием, которое усиливается во время бесконечного повторения процесса Чтобы выйти из этого круга, он решает сделать татуировку так, как еще никто не делал, надев очки дополненной реальности. Why was the first AR tattoo movie shot on film? We knew that this story would be about a man and a challenge, as well as about the first ever experience of creating a tattoo using augmented reality goggles. The compatibility of Tattoo and technology is controversial. It’s hard to imagine how the initiation process (which has existed for thousands of years) will collide with augmented reality (which has only just begun to shape). I wanted to “play along” with this sacred combination and combine old-fashioned film and the material collected by lidar in one project. Herman’s tattoo scans are a great addition to the movie. They were scanned with a special machine directly from their owner’s skin. But we decided to print and digitalize them too, so that the images would have chroma and luminance noise relevant to the images in the movie. The outcome is a combination of materials created in the traditional way (16 mm film, scan, print) and digitally (lidar, material from the sketch ur program, 3D graphics). We believe that this approach helped to align well with the meaning and also create a match that emphasizes the essence of this movie. /// Directed by Evgenii Bakirov Artist: Herman Deviashin Actress: Iana Andrukhina Produced by Michael Novitskiy Cinematography: Andrey Krauzov Production Designer: Alexey Yandovskiy Music by Jora Vensky Set decorator: Maria Gracheva Special Effects: Daria Rykova Style: Vasilisa Gamaleya-Gusarova / Kristina Eliseeva Production manager: Timur Gariffulin / Sergey Samarin Props master: Peter Burshin / Anastasia Burshina Prop man: Nikolay Nekrasov / Vyacheslav Pirozhkov Location Manager: Vladimir Kravchenko MUA: Anna Alimova Casting: Milena Bessonova Models: Alina Mikhalchenko Yana Ank Daria Romazanova Anna Yudakova Inga Khachataryan Dmitriy Zaitsev Trofim Ovchinnikov VHS camera: Maria Gracheva / Alexey Yandovskiy 1st AC: Alex Budarin Camera Assistant: Stas Popov / Andrey Popov Gaffer: Pavel Bruh Lightning technicians: Alex Adamov Slava Liskov Alex Mikhalev Artem Tulishev Dolly: Michael Kashin / Alex Kashin SFX: Evgeniy Sorokin DIT: Sergey Ivanov Post production producer: Louise Levitina / Erik Basentsyan Color: Nikolai Vavilov Animation: Art Director: Dmitry Maseykin Animation: Pavel Nikiforov VO Artist: Daniil Shelbanov VO Artist: Giles Coghlan Post production studio: LustraFX Post production supervisior: Valentin Grosu Houdini artist: Alexnder Tsymbalyk 3D Tracking / Matchmove artist: Maksim Makuha VFX Composer: Igor Oleksienko Spiritview Dmitrii Mitrofanov (Head of studio) Mikhail Martynenko (CG Producer) Roman Mitrofanov (Clean up artist) CG Artist: Gleb Zhvaniya Sound manager: Sofya Braslavskaya Sound Engineer: Alexandr Truhan Translator: Evgenia Puzanova Sound designer: Jora Vensky / Vladislav Kotov Digital Intermediate / Scanning: Mosfilm studio Fonts: Swiss typefaces nowitsky.studio: Michael Novitskiy Hype production: Ilya Stewart / Murad Osman / Ilya Djincharadze Sketchar: Andrey Drobitko Yourental: Maksim Belitskiy / Alexey Kundrat 16 mm KODAK Moscow / Los Angeles 2024 #творчество #валовтату #valovtattoo #valovpro #блогер #хайп #лекция #обучение #семья #жизнь #любовь #храмхристаспасителя #карамбатв #мтскуб #летовкубе #красныйоктябрь #tattooage #funtattoo #байк #мотоганза #moto #biker #show #тату #tattoomaster #татумастер #ink #tattoo #творчество #графика #valovtattoo #россия #валовтату • Весь материал взят из открытых источников и носит исключительно ознакомительный характер.

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2 года назад

Короткометражный документальный фильм о художнике-экспериментаторе Германе Девиации, который пытается найти выход из творческого кризиса. Он называет этот кризис "кругом" и связывает его со своим творческим выгоранием, которое усиливается во время бесконечного повторения процесса Чтобы выйти из этого круга, он решает сделать татуировку так, как еще никто не делал, надев очки дополненной реальности. Why was the first AR tattoo movie shot on film? We knew that this story would be about a man and a challenge, as well as about the first ever experience of creating a tattoo using augmented reality goggles. The compatibility of Tattoo and technology is controversial. It’s hard to imagine how the initiation process (which has existed for thousands of years) will collide with augmented reality (which has only just begun to shape). I wanted to “play along” with this sacred combination and combine old-fashioned film and the material collected by lidar in one project. Herman’s tattoo scans are a great addition to the movie. They were scanned with a special machine directly from their owner’s skin. But we decided to print and digitalize them too, so that the images would have chroma and luminance noise relevant to the images in the movie. The outcome is a combination of materials created in the traditional way (16 mm film, scan, print) and digitally (lidar, material from the sketch ur program, 3D graphics). We believe that this approach helped to align well with the meaning and also create a match that emphasizes the essence of this movie. /// Directed by Evgenii Bakirov Artist: Herman Deviashin Actress: Iana Andrukhina Produced by Michael Novitskiy Cinematography: Andrey Krauzov Production Designer: Alexey Yandovskiy Music by Jora Vensky Set decorator: Maria Gracheva Special Effects: Daria Rykova Style: Vasilisa Gamaleya-Gusarova / Kristina Eliseeva Production manager: Timur Gariffulin / Sergey Samarin Props master: Peter Burshin / Anastasia Burshina Prop man: Nikolay Nekrasov / Vyacheslav Pirozhkov Location Manager: Vladimir Kravchenko MUA: Anna Alimova Casting: Milena Bessonova Models: Alina Mikhalchenko Yana Ank Daria Romazanova Anna Yudakova Inga Khachataryan Dmitriy Zaitsev Trofim Ovchinnikov VHS camera: Maria Gracheva / Alexey Yandovskiy 1st AC: Alex Budarin Camera Assistant: Stas Popov / Andrey Popov Gaffer: Pavel Bruh Lightning technicians: Alex Adamov Slava Liskov Alex Mikhalev Artem Tulishev Dolly: Michael Kashin / Alex Kashin SFX: Evgeniy Sorokin DIT: Sergey Ivanov Post production producer: Louise Levitina / Erik Basentsyan Color: Nikolai Vavilov Animation: Art Director: Dmitry Maseykin Animation: Pavel Nikiforov VO Artist: Daniil Shelbanov VO Artist: Giles Coghlan Post production studio: LustraFX Post production supervisior: Valentin Grosu Houdini artist: Alexnder Tsymbalyk 3D Tracking / Matchmove artist: Maksim Makuha VFX Composer: Igor Oleksienko Spiritview Dmitrii Mitrofanov (Head of studio) Mikhail Martynenko (CG Producer) Roman Mitrofanov (Clean up artist) CG Artist: Gleb Zhvaniya Sound manager: Sofya Braslavskaya Sound Engineer: Alexandr Truhan Translator: Evgenia Puzanova Sound designer: Jora Vensky / Vladislav Kotov Digital Intermediate / Scanning: Mosfilm studio Fonts: Swiss typefaces nowitsky.studio: Michael Novitskiy Hype production: Ilya Stewart / Murad Osman / Ilya Djincharadze Sketchar: Andrey Drobitko Yourental: Maksim Belitskiy / Alexey Kundrat 16 mm KODAK Moscow / Los Angeles 2024 #творчество #валовтату #valovtattoo #valovpro #блогер #хайп #лекция #обучение #семья #жизнь #любовь #храмхристаспасителя #карамбатв #мтскуб #летовкубе #красныйоктябрь #tattooage #funtattoo #байк #мотоганза #moto #biker #show #тату #tattoomaster #татумастер #ink #tattoo #творчество #графика #valovtattoo #россия #валовтату • Весь материал взят из открытых источников и носит исключительно ознакомительный характер.

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